Dialogue Discourse and Ideology of Popular Superstition
The Omani short story as a model
Salim Nasir Salim Al-Jadidi
Mohammed V University || Morocco
Tab title The narrative prospective take many ways according to critical and literary practices devoted to it. So a group of narrative prospectives are formed not one as with John Boyon, Todrof, Girar Jenit but the soviet, ospesinki who made it on four levels, verbal, ideological, place and time psychological, from here, the essay aimed to showing one of these prospectives, which the researcher takes as problem of his research article it is the ideological prospective in narration, as a preient one in the verbal speech of characters as in the short Omani story as model. As this prospective, in my belief, is an ignored prospective – study and researcher – It was not given the due interest. especially as resulted in discourse speech (dialogue). The research reading of this prospective resulted in curriculum taking its sources of structural narrative approach. It is based on following ideological vision of present popular superstition in the dialogue between the short story characters in different times and stages in which the researcher thinks it takes a growing course and present a complete picture beginning from the seventieth and reaching in twenty first century. The essay treated clips of six Omani narrative stories, in which he thought of the ability of conversational discourse of showing the domination of this type of thought and what can be taken of deep and mysterious evidences, they may take a strange direction and obliteration of scientific and religions facts. Keywords: dialogue discourse, ideology, myth, folk.
Tab title
The narrative prospective take many ways according to critical and literary practices devoted to it. So a group of narrative prospectives are formed not one as with John Boyon, Todrof, Girar Jenit but the soviet, ospesinki who made it on four levels, verbal, ideological, place and time psychological, from here, the essay aimed to showing one of these prospectives, which the researcher takes as problem of his research article it is the ideological prospective in narration, as a preient one in the verbal speech of characters as in the short Omani story as model. As this prospective, in my belief, is an ignored prospective – study and researcher – It was not given the due interest. especially as resulted in discourse speech (dialogue). The research reading of this prospective resulted in curriculum taking its sources of structural narrative approach. It is based on following ideological vision of present popular superstition in the dialogue between the short story characters in different times and stages in which the researcher thinks it takes a growing course and present a complete picture beginning from the seventieth and reaching in twenty first century. The essay treated clips of six Omani narrative stories, in which he thought of the ability of conversational discourse of showing the domination of this type of thought and what can be taken of deep and mysterious evidences, they may take a strange direction and obliteration of scientific and religions facts. Keywords: dialogue discourse, ideology, myth, folk.
الخطاب الحواري وإيديولوجية الفكر الخرافي الشعبي
القصة القصيرة العُمانية نموذجًا
سالم بن ناصر بن سالم الجديدي
جامعة محمد الخامس || المغرب
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تسلك ” الرؤية السردية ” مسالك قددا؛ حسب الممارسات النقدية والأدبية الموظِّفة له، ولذا فقد تكوّنت مجموعة من الرؤيات السردية، وليست رؤية واحدة، كما عند “جون بويون” و”تودروف ” و”جيرار جينيت”، بل والسوفيتي “أوسبسنكي” الذي جعلها على أربع مستويات: التعبيري والإيديولوجي والمكاني – الزماني والسيكولوجي. ومن هنا، قد هدف المقال إلى بيان إحدى هذه الرؤيات السردية، والتي يتخذ منها الباحث مشكلة لمقاله البحثي هذا، ألا وهي الرؤية الإيديولوجية في السرد القصصي، كرؤية فكريّة حاضرة في الخطاب الحواري للشخصيات، القصة القصيرة العُمانية نموذجًا. إذ هذه الرؤية – في ظني – رؤية مهملة دراسةً وبحثًا، ولم تولَ اهتمامًا كبيرًا، وخاصة فيما ينتجه بها الخطاب الحواري. وتمّت القراءة البحثية لهذه الرؤية بمنهجٍ يأخذ معينه من ” منهج السرديات البنيوية “، وذلك قائم لتتبّع الرؤية الإيديولوجية للفكر الخرافيّ الشعبيّ الحاضر في الخطاب الحواري الدائر بين شخصيات القصة القصيرة، في أزمنةٍ مختلفةٍ ومراحل متعددة، يرى فيها الباحث أنّها تأخذ مسارًا متناميًا، وتقدّم صورة شاملة، بدءً من السبعينيات وختامًا ببدايات القرن الحادي والعشرين. وقد عالج المقال مقاطع للخطاب الحواري من ست مجموعات قصصية عُمانيّة، نظر من خلالها الباحث إلى قدرة الخطاب الحواري بآلياته وأنواعه على إظهار سيطرة هذا النوع من الفكر، وبيان ما يُولّده من دلالات عميقة وغامضة، وقد تأخذ في أحيانٍ كثيرةٍ مسلك الغرابة وطمس الحقائق العلمية أو الدينية. الكلمات المفتاحية: الخطاب الحواري، الإيديولوجيا، الخرافي، الشعبي.